But the class was anything but boring. In fact, she made a few people cry with her essay twists.
Ok, so here's a very down and dirty version of what she recommended for effective revision (also with an eye toward a direction you can gain in the beginning of the novel-writing process.)
- Take a character and write a 5 minute essay involving 3 specific items from a child's room.
- Write in the 1st person as the child.
- Then write the same passage, same details, but from 3rd person.
- Then, after that's gelled, rewrite the passage again from the point of view of a mother who has lost that same child. (yes, this is what got more than one attenddee cry.)
I took this same idea and combined it with the Career Strategy session that Steven Malk gave. Taking several ideas I have for upcoming projects, I put the titles in columns according the genre and whether the idea was appropriate for kids, YA, or mabye even adult. Just the exercise of putting things on one page made me look at them with a revisioneering (yes, I just made that up) eye. What books would be the most interesting to work on? Which ones would be most marketable? Which ones crossed genres? I would have asked myself none of these questions if it weren't for Lisa and Steven's talks.
The second part of Lisa's talk had to do with simple techniques for revision that aren't so much about exercising the writing muscle as they are about shaking yourself out of your comfort zone. After you finish a draft, try the following when you're revising:
- Revise the font and the margins, then re-read it like it's brand new.
- Read a hard copy in different location from where you write.
- Read it aloud.
- Circle the great stuff with your goal being to bring everything up to that level.
My addition to that is to change your music playlist, or edit without music.
Lisa also recommended reading:
- The Lovely Bones, and Bird by Bird.
- listening to and the KCRW Tobias Wolf episode on podcast on Bookworm, he wrote This Boy’s Life
Last. Talk to the writer's you know about how they revise. You never know where the next best idea will come from. I ran into Jacqui Robbins who recommends: Writing the Breakout Novel: The Workbook, by Donald Maas. Again, exercise is the operative word. You can talk and blog and pontifiate about writing all you want. But the writing itself is the only way to get to a finished manuscript.
Now get to work!